Assignment two- Stitching: Placed and spaced. Sketchbook

Starting to think about my final series of three works. 

These are the three works I think I’ll be using to inform my first textile works. The features I am looking at are the embossing and the dense red textural colour in the first, the net overlay with something visible beneath and the kimono shape in the second, and the drape and linear marks of the third.


Don’t know what this has come from. It was just lying on the ground in the middle of the road. There is a fair bit of discarded material on the ground here. Brian called our walk “going shopping for free art supplies”.

Thinking ahead 

Considering the need for some base textile to work on. I am living remote at present and only have undyed textiles that I brought with me, and some dye.

So before I think about manipulating the textile, I first have to consider what colours I would like to use in my base textiles. At this stage I’m not sure where I will be going with my textile works, but I can’t ignore my surroundings. I am draw to the distinctive colours of the outback, the red of the earth, the green of the plant growth and the blue of the sky.  

It’s going to be pretty hard to choose textile for my base because I don’t have much available  and I understand that I am making links always back to my drawings or my stitch works so possibly I should be using my cream/ white fabrics undyed as paper is undyed.  Actually reading the brief again I see that I should only be referencing colour in a limited way and relating it to the colours in my drawings.

Still I’m going to have some fun dyeing some fabric to use at some stage anyway in the colours of the outback.  I want to extend my work ultimately and apply what I’ve learnt to a body of work relating to my time here. 

Here I am trying to match the colour of the sky with dye on paper

Developed and composed samples (2.4) Sketchbook entry


I have chosen embossing and Joomchi as the more successful of my paper manipulations and couching and visible running stitch  and loose thread as more successful of the stitch techniques. 

These compositions are pretty literal translations of my drawing but I did consider composition in the original drawings.

I want to use repetitive directional line to show the movement evident in the original yellow drawing and develop that drawing with the added dimension of texture and paper manipulation to make it a more complex drawing with greater depth. 

With the patch drawing I want to represent the mending quality of the central square and I plan to start with continuous line through couching and then go to running stitch with the same thread and even some loose thread to emphasis the mending quality.