All this paper manipulation got me thinking about rusting paper. Out here there is rusted metal everywhere and I have collected some bits and and old rusted metal box.
I put the lot together with some water and vinegar and popped in a piece of organza and some paper. Two days later I have this piece of silk organza after washing. Paper still needs rinsing. Not particularly related to my drawings but related to the environment I’m in at the moment.
This is the learning log for Susan Lacey 516733 for the unit ‘A Textiles Vocabulary’.
Photos of all my works are included in the blog. The drop down heading Coursework/Part One will display all the coursework for this section, but each exercise is also individually categorised with its number in a list down the side of all posts. Research can be viewed by highlighting the Research and Reflection tab, but is also categorised into books and exhibitions, and internet. For Assignment One the Assignment tab contains only an overview and reflection
I was expecting that with a name like this she would be a younger person that had chosen that name. Turns out I was wrong and she is a now elderly painter and printmaker known for her paintings of flowers.
Another beautiful drawing. Normally I don’t like a composition like this surrounded in white, but on this occasion I think it serves to highlight the detail, variation and colour in the individual leaves. Zoffany:
Now here I’m guessing we are looking at the interior design company Zoffany rather than the 18th century neoclassical painter Johan Zoffany, who doesn’t seem to have done many flower drawings 😊.
I’m going to include a photo of a Zoffany fabric called Rothko in celebration of the wonderful depth of colour in a Rothko painting I assume.
Obviously this is taken from a commercial site, the details of which are at the top. This doesn’t relate to flowers specifically but I couldn’t resist the name, the colour and the weave variation. There are other wallpapers and fabrics with repetitive damask flower patterns but the regular less organic patterns appeal to me less.
Erdem Moralioglu is a fashion designer that studied at the Royal College of art. I was attracted to the winter collection with its patchwork of stylised flowers, appealing to my quilting background. The lush fabrics combined as patchwork give an exotic mood to more traditional stylised motifs. Normally I don’t like flowers such as these but in combination they convey further depth and story. In these works he has attempted to combine traditional English motifs with lush Turkish fabrics as a celebration of his dual heritage.
William Morris was a designer that drew heavily on floral imagery, and was part of the arts and crafts movement in the 19th century. A lot of his imagery is densely patterned and with long repeats creating an all over design that is not immediately seen to be repetitive. In the tiles above you can seen an example of a mirrored repeat. I’m not very atttracted to repeats although am interested in the effects that can be achieved through mirroring. The use of all over design creates the luxurious effect of dense foliage.
Touted as the ‘Japanese Andy Warhol’, Takashi Murakami make brightly coloured works with flower motifs amongst them. He has a style he calls ‘super flat’ which references the flat nature of earlier Japanese works.
Another textile design company. Lots of floral and nature based designs, with an underlying foundation of the intertwining of nature and society. http://www.timorousbeasties.com/the_room Viewed 23 August 2017
The site had a fun program where you could input a variety of textile designs over a generic room. This is my result using all nature based textile prints.
Another commercial site. I’m not used to looking at these. I struggled here to find any information about the use of floral motifs, and in fact not much imagery of floral motifs.
On her site Jane talks about painting based on textile background. Floral motifs that are often associated with textile and flattened pictorial space. I have chosen this one because I like the way the vibrant hues in the foreground resonant with similar more subdued hues in the background. Despite talking about flattened pictorial space, the differential vibrancy does create some depth.
Tore is an industrial designer that uses floral motifs in his textile work, and here in collaboration with a ceramic company. He is combining an interest in nature, materials and technology to create beautiful work.