Michelle Griffiths

Michelle Griffiths.JPG

<http://michaelgriffithsfineart.com/photo_9336544.html&gt; Viewed 19 June 2017

Drawings that appear simple but are apparently built up with multiple layers and evolved and discovered as much as consciously drawn. The multiple layers and mixed media, with its variety of type of mark,  add a sense of depth and scale to the drawings.

Next drawing I try might include a bit of mixed media and layers.

Nice article about her process is also on the website:

Archaeology of meaning by Lynne Green    http://michaelgriffithsfineart.com/section606655_221620.html



Take 2

Had another go at the cocktail glass centred layout. This time using aquarelle water soluble pencil and an eraser. This is just another small thumbnail although I’m not unhappy with it. I added water in selected parts only to try and increase the contrast. Lack of contrast is always a failing of pencil drawings in my opinion. Still not contrasty enough to my eye. Eraser worked well to fade the areas that had light reflection. Pencil still not smooth enough to say water but  I have tried to use the observed tone and distortion to suggest the glass.


Take 2.jpg
Aquarelle pencil on draw and wash paper, 14.5 x 12 cm

Through the cocktail glass

Through the champagne glass.jpg
Charcoal and glue, 19 x 19 cm


The idea was to try and smear charcoal to blur like the view through the cocktail glass. Unfortunately it didn’t really smear well and then I added some loose charcoal powder which stuck in the damp glue and gave some interesting detail when I tried to smear it, but not the blurry smear I was after.

So this technique might be useful in drawing for creating a rough texture but it didn’t work for this image. Possibly using a rewettable medium and then smearing water over it might work.

Incidentally don’t iron paper with damp glue even using a protective cloth. You can see the resultant delamination of the paper above.

Another drawing tester

This is my interpretation of the towel close up. A fine grid centered with a loop. In order to create tone I have not included the loops in all boxes. I got to this by thinking about the multiple small lines in the work of Alex Chambers, but along the way I remembered John Franzen and I know this influenced the grid. He creates wonderful drawings made up of multiple vertical lines, each one feeding of the imperfections of the line before. It’s like a meditative process by which he imbues his drawings with his feelings and emotions, as well as bigger concepts related to the cosmos and infinity.


Towel  – Pen, approx A6 size

I’m just doing thumbnails to start with, to see what works and then I’ll move on to bigger works. My small drawing looks clunky, but I wonder how it would look on a much bigger scale. Other things to consider are that although the paper is light it is not white. I think that the bright towel would be better reflected with a clean white background.



John Franzen.JPG
John Franzen

<http://www.johnfranzen.com/each-line-one-breath.html>Viewed 16 June 2017



Alex Chambers

I’m working my way down the links looking for something that attracts me.

This is a drawing, I assume, by Alex Chambers.

<http://alexjameschalmers.com/8607523&gt; Viewed 16 June 2017

Alex Chambers.JPG


It is not titled on his site but I can see that the size is roughly 1m  by 70 cm or something like that, of which this is a detail of about a quarter of the work. It’s a bit difficult to see in the photo but it is comprised of straight lines creating geometric shapes. The lines are alternatively closer or further apart creating areas of increased density of line and therefore tone, creating a textural surface.