Howard Arkley – colourful outlined work with a lot of the content being suburbia and the everyday. Referencing both the everyday and art history. – made me think of my work with everyday objects and details and attempts to present them in an art context. Not particularly about culture/identity for me though.
Triple fronted , 1987 https://www.artgallery.nsw.gov.au/collection/works/1.2014/ Viewed 6 Aug 2020
Lindy Lee –
https://www.artgallery.nsw.gov.au/collection/works/219.2004.a-t/ Viewed 6 Aug 2020
These two included photos are the same photo but one is darker than the other. It’s interesting how different it makes them look. Repetition with variation. This sort of configuration suits my work but I’m not sure what it says. To me it looks haunting and suggestive of loss. As though a lot of what might have been there in red has been covered up by black.
Kara Walker –
The keys to the coop 1997
In the tate article associated with this it mentioned the simplicity of silhouettes resonating with the simplicity of racial stereotypes.
https://www.tate.org.uk/art/artworks/walker-the-keys-to-the-coop-p78211 Viewed 6 August 2020
I’m more interested in the potential of silhouettes as a process given that they work well with my solar fast imagery. There is a lot of detail in the image above but it has a kind of cartoon quality which I’m not looking to use.
Sometimes I think that the stencils yield up interesting shapes and a certain reduction in the distraction away from form that lots of internal detail can give. Having said that, I like to create internal markings that don’t necessarily reflect the exact detail of what is present but more create a certain mood.
In my dog work I was happy that the man had some degraded sort of marking within his silhouette to resonate with the idea that he was being lost.