This is a second attempt. I tried to get an actual photogram on the fabric but it was unsuccessful and all that remains is that slightly paler area at the top of my head. Then I used a mask of a photo and ended up with this which looks odd floating there and looks like a cameo.
My idea was to stitch a wire contour core under the skin.
Feedback was that this whole thing looked flat and just like representation of my face. Warm element with fabric. I agree it’s uninteresting with flat picture plane.
I have finished the stitching and turned it on its side, which makes for a more visually interesting image but not saying what I intended, and perhaps not saying much at all.
Things I have learnt out of this are technical things. I bagged this up so it met the requirement for a quilt and I did this but sewing the batting which was canvas in the centre to give stiffness. It is sewn through the back to hold it in place so I didn’t need to sew it into the edge seams and that gives a flatter neater result. which sharper corner points.
Other things that were discussed was how the wall as a whole was coming together.
Yvette mentioned Sally Smart as someone to look at.
https://www.sallysmart.com/cms-work/flaubert-s-puppets-2011/index.phps Viewed 15 Aug 2020
Sally Smart does large scale installations as sometimes with performance, that are collaged on to the wall.
Sally Smart – Family Tree House (Shadows and Symptoms)
I imagine thinking about the meanings of the world; inevitably the discourse begins with the body, a forensic activity, an external and internal examination of the body environment: clothes, house, furniture, landscape. This becomes an anatomy lesson; where dissected parts are examined and reconstructions are made for explanations. Inevitably the conclusion is like a puzzle-picture: a maze of fugitive parts; landscape parts become human parts: but whether the lines, shapes and colours appear abstract or representational there is an assemblage of parts. However, the composition is unstable, a chimera: the picture is impaired.
SmartS, No update date given, Writing, Viewed 15 August 2020
This is an interesting quote from Sally Smart’s website which resonates a bit with my inclination to investigate everyday objects and details of life, and also my quilting tendency to assemblage. However it is not the aesthetic look I would go for. Colour is important to my work and these hard edged collages with white background seem a bit prosaic for me. I want my work to be a bit more ethereal with emotive colour. I’m struggling to achieve this in a quilt like assemblage but I may be more successful with layering thinner fabrics. I’ve just got some silk cotton and silk voile so maybe that will be the answer!! I have a new idea that I’m going to experiment with and that will be in the next painting post.