I enjoyed this assignment very much. I felt like there was more making involved and that is what I enjoy. I did go off on a bit of a tangent with spinning, which I’ve only just touched on before, and I rediscovered macrame and braiding from my distant past.
Overall I’m finding that this course is demonstrating how you can build a textile work from the ground up. Making every part to suit your intentions. I haven’t thought much about making the materials before, including making yarn, and I can see how this would enhance a project.
I wasn’t very happy with my presentation of the yarns though. It would have been more satisfying for me if I could have found a way of looking at them all at once in a pile of a box. Instead I chose to attach them all to card. I have attempted to leave one part free to allow movement to be demonstrated and to touch the yarn.
I haven’t yet mastered the subtle colour and texture section. My colours remained all too intense despite multiple attempts. I needed to take the time and find the patience to use much smaller amounts of diluted colour for a better result.
I was happy with the paper mache yarns. They were surprisingly strong and despite being stiff and holding there shape, they were also malleable, especially when wet.
The wool spun yarns were fun to experiment with, but here I suspect I was more experimenting with spinning that with yarn construction. They were successful but fairly traditional yarns.
The deconstructed yarns were exciting to work with. I wasn’t sure what result I would get as I deconstructed the materials and I love that uncertainty and potential for surprise.
Starting to construct simple forms was very satisfying. It opened my eyes to the potential of braiding and the possibility of building forms for use in artworks, from the ground up.
I’m pretty happy with this unit and I feel I got a lot out of it, that I can apply to future projects.
Assessment criteria review
Demonstration of technical and visual skills
I like to use a wide range of materials and techniques, and believe I am aware of the possibilities detailed observation can bring to a work. I’m not sure how I go really with design and composition. In relation to this assignment I used design elements directly related to the previous works I was observing and they were arranged fairly traditionally.
Quality of outcome
I was happy with the yarns, but as I mentioned above, I was not very happy with the presentation of the final collection. I would rather it had sat together as a single coherent work, rather than mounted on the the thin board and arranged in a concertina book that was floppy and distracting to manage.
Demonstration of creativity
I love to experiment and explore and this is always a feature of my work. I would have to say that my personal voice seems to be about process and surprise, and the final works are somewhat lacking in finish, coherence and concept.
A weak point of mine. I research techniques but probably don’t research artists enough. I take my information from all sorts of sources and continue to not be aware of where I best fit.
I have chosen to work from just one collage for this segment. This collage has contrasting textures and simple but interesting colours.
Button yarn was fun to do but pretty time consuming. The flower motif was not the most relevant but it was all I had in that colour. Woven yarn was tricky because of the delicacy of the ribbon and is fairly uninteresting. The glued collage tape on the right references collage more clearly and I was able to also incorporate the shape in the original collage.
On the left is rug hooked elastic. I consider this successful as a technique but to be honest it doesn’t link back to the original collage very well.
Finally I have a multilayered glued yarn. I was trying to reference the layering in the base of the collage with the blue sitting on top. It doesn’t do it for me. I would have been better using tissue paper as in the original collage for a better layered effect but I didn’t have those papers available at the time.
The watercolour line paintings were used to guide the colours and translucency of the materials I have chosen to deconstruct and create yarn.
Rope is deconstructed progressively until I discover it it’s made of a monofilament of nylon fused with a softer fluffy nylon thread. I have manipulated the photograph here to highlight the finer threads which didn’t show well on their original white background.
Cotton yarn is unplyed and then the single is further drafted out and reknotted as it was too delicate to stay together.
Loosely woven teatowel is pulled apart and partially unpicked. I did try to remove whole threads to simply open the weave more but that proved too difficult to hold together so I had to make a few cuts to facilitate removal of some of the thread. If I had done it with a larger piece of fabric and then cut the loose weave out later it may have worked.
Even though I cut this seemingly holey sponge as thin as I could it doesn’t really give the airy look that I am going for.
I considered these deconstructed straws some of the more successful. It is helped by the translucency being evident even in the original straws.
Again this starting solid material isn’t too solid already and the deconstruction here is pretty basic but the resulting yarn is a successful light airy yarn.
Some less successful attempts. The left hand cotton interlock tape has not deconstructed at this point to be light and airy. If I continued the process and went over it again with scissors I could probably open it up a bit more.
In the centre is a piece of hand dyed silk/hemp. The surrounding yarn is actually just tangled yarn retrieved from the dryer. I tried to emulate this on the right by washing, manipulating and drying a piece of the silk/hemp but it has not unwound enough in the washing. Again if I had worked with a large piece and then just pulled my “yarn” off the edge at the end I may have had more success.